Taught by renowned trumpet player
Brandon Ridenour
Some of the most important music for the trumpet comes from the early twentieth century, as composers experimented with the exciting potential of the trumpet within new forms and tonal systems. Brandon Ridenour discusses some of the highlights of this era: Hindemith's Sonata, the Arutiunian Concerto, as well as selections from two of the most impoartant etude collections for trumpet.
Hindemith: Sonata
Brandon discusses the context in which this piece was written, and how that might inform the way we play it. Going through the work's key sections, he shares insight into vibrato, pacing, interpreting chromaticism, and more.
Arutiunian: Concerto in A-flat major
The often misspelled (and mispronounced) Arutiunian Concerto was written in 1949-1950, yet exemplifies the Romantic style better than almost anything written for trumpet. Brandon shares insight into the cadenzas, the main theme, slow section, the muted passages, and more.
Charlier: Study No. 2
The first of three Style etudes in Charlier's book, and among the most famous pieces in all of trumpet literature. Brandon teases apart the elements that make this etude tick, with the goal of always bringing out individuality and moments of expression.
Charlier: Study No. 4
While sharing some features in common with the more famous Study No. 2, the fourth Charlier Study is packed with rapid shifts in character that make it unique and challenging. Brandon demonstrates his personal approach.
Charlier: Study No. 6
Brandon urges you not to overthink this music! He shares some thoughts on this delightful etude by Charlier.
Bitsch: Etudes 1-6
You could call the Bitsch etudes the more angular cousins to Charlier's. Brandon discusses the first six, how to practice for interval accuracy, and what type of articulation is most appropriate.
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Unlock Course →Brandon Ridenour, faculty at Juilliard and member of the American Brass Quintet, is stylistically diverse trumpet soloist, collaborative artist, composer, and arranger also known for his time spent with Canadian Brass.
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